More unpleasant irony, anti-gay marriage freakshow Sarah Palin speaking at Gaylord Opryland.

More unpleasant irony, anti-gay marriage freakshow Sarah Palin speaking at Gaylord Opryland.

Unpleasantly ironic LIFE branded heroin packet (via Good Magazine)

Unpleasantly ironic LIFE branded heroin packet (via Good Magazine)

Rebellion (Lies) lip-dub by 70 students at the University of Guelph in Canada. It might be an old song but this video is just joyously creative. Their Youtube page reports that it took 5 hours to learn the route and film 3 takes during their overnight invasion of the university’s engineering building.

Want to know just how much that meeting just cost? Try MeetOrDie. A cartoon character gets punished for all that talking.

Want to know just how much that meeting just cost? Try MeetOrDie. A cartoon character gets punished for all that talking.

I HEART WHORES from Terry Riley’s online scrapbook (Terry’s Diary)

I HEART WHORES from Terry Riley’s online scrapbook (Terry’s Diary)

The augmented future: the battle to own some blank space

keiichimatsuda produced this vision of an augmented reality future where layers and layers of commercial messages wallpaper the world. It’s a brilliantly made video that presents a truly possible outcome of augmented reality — a world where brands take ownership of every space. It’s the nightmare vision of a pervasive Piccadilly Circus.

It’ll be a world of AR graffiti and space hacking where brand messages are undermined by clutches of future Banksies who’ll smear their own icons over the logos and tweak them subtly to change the message.

If AR spreads like Matsuda’s vision suggests it will (and I think it potentially will) the world will be plagued with visual pollution. Just as email began as a simple communication system and became clogged up by spam, AR will need controls and methods to remove the layers that are parasitic, the ugly visual noise that obscures the useful data.

Cities and government’s will need to legislate to protect blank spaces to free classic buildings and beautiful natural environments from AR spam. Just as we need legislation to ward off noise pollution, there will need to be a clear space prerogative.

Little did we know that our video was influenced by Megan Fox…

Little did we know that our video was influenced by Megan Fox…

Liz Jones watch: linking murder with money from movies, the she’s-gone-too-far edition


I regularly write these critiques of Liz Jones’s unbalanced rantings. Most of the time I’m just mildly irritated by her unformed arguments and misanthropic streak. This time she’s taken her unpleasantness to a new level – drawing a connection between Emma Watson making millions from the Harry Potter series and Medine Memi, a Turkish teenager, being brutally murdered in an honour killing.

Drawing on her own titanic insecurities about ageing, looks and youth (shared by her employers at the Daily Mail), Jones asks: “Can we in the West really claim the moral high ground when it comes to condemning these ‘honour’ killings?” There’s some potential in that argument but as usual with Liz Jones’ arguments, its swiftly leaves the road of rationality for an unscheduled detour through Crazy Town.

Liz Jones contends: “I would counter that the number of women harmed psychologically and physically by the West’s obsession with extreme youth far outstrips the number of women who are murdered for adultery, or even for the ‘crime’ of being the victim of rape in Islamic countries.”

Well firstly, Liz has written and continues to write about fashion for a living. In her own columns for the Daily Mail she frequently highlights other women to be judged. She even essentially claimed breasts are disgusting. Liz Jones has not spent her career fighting for the rights of women. A remarkably large number of the thousands of words she vomits out into the world are about strengthening the idea the fashion matters. 

And who does Liz Jones use an example of the West’s failings? Emma Watson, the 19-year-old Harry Potter star. Her involvement in the franchise has netted her millions of pounds and put her in the top 20 earners. Jones’s goggle-eyed, head-spinning logic makes her believe that Watson has been successful because of “her portrayal of a virginal schoolgirl”. Not because she happened to be part of one of the largest film franchises in history? No, to Jones, Watson is successful because Western culture wants to gobble up Virgins. Boy I’d love to read Liz’s psychiatrist’s notes.

Liz ponders why Meryl Streep, Helen Mirren or Kathyrn Bigelow aren’t on the Top 20 list. I can explain that one pretty simply. Both Streep and Mirren have not made massively commercial films. They are serious actresses in a later period of their careers making subtler, more small scale films. As for Bigelow, she’s just starting to get some major success. Asking why they’re not earning as much as Watson is like asking why Ian Rankin isn’t as rich as Stephen King.

Then there’s those nasty old men for Liz to take on: “The most powerful men are inevitably all ancient and unglamorous with old-lady arms: James Cameron, Steven Spielberg and their ilk.” Again, Liz has let that trick thing called context slip through her overly manicured hands. Spielberg and Cameron have been working in Hollywood since they were extremely young. They’re rich old men now but they were once hungry young men and they’ve always made blockbuster movies. 

Jones might be able to justify her argument that “Hollywood is clannish…backward-thinking” but she has to go further trying to cram together the success of one young woman with the brutal murder of another. Medine Memi was buried alive for talking to boys on the telephone. Her lungs and stomach were found to be filled with soil. Liz Jones should be ashamed. Her column is trite and belittles a real issue.

Liz Jones takes serious issues and throws them in a blender with her own twisted vision of the world. She even asks for a “war between genders” in her piece. There is a real issue with the Western world’s veneration of youth. We do have a serious problem with violence against women but the kind of half-considered, bile-splattered bullshit written by Liz Jones does us no good.

Voldemort is working in my local B&Q.

Voldemort is working in my local B&Q.

Smiths Valentine’s card from Folksy, £1.50. “You can pin and mount me like a butterfly” from Reel Around The Fountain:

Smiths Valentine’s card from Folksy, £1.50. “You can pin and mount me like a butterfly” from Reel Around The Fountain:

After a long day filming.

After a long day filming.

Sinclair C5 schematic for @simon_OW (via AR Online)

Sinclair C5 schematic for @simon_OW (via AR Online)

“One of the agents tells us he thinks we’ll have a “nice set of encounters based on the material you’ve produced”. Which makes me feel like a ­talented member of a milking herd looking to move into porno.”

Sam Bain and Jesse Armstrong at the Sundance Film Festival from today’s Guardian Weekend.
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